Adobe Photoshop Lightroom 4.4 ReadMe file (PDF).Camera Raw 7.4/DNG Converter 7.4 post at the official Lightroom Journal.Lightroom 4.4 post at the official Lightroom Journal.All are free updates for current licenses of the software. The updates include the usual bug fixes and add support for new cameras (including the Canon EOS 1D C, Canon Digital Rebel SL1 and T5i, and Nikon D7100), improved processing for Fujifilm cameras with the X-Trans sensor, new lens correction profiles, and more details that you can read about on these Adobe posts: 2.Adobe has released Camera Raw 7.4 and Lightroom 4.4 with the same raw processing updates for both, and with a corresponding DNG Converter 7.4 update. I will often come back to a file after a few days to find that I want to reduce the highlights and whites before I get started properly. This works great if you want to make quick adjustments to things like the overall exposure, contrast or vibrancy in an image. Once there, you can make any adjustments you might want and click Okay. A quick and easy solution is to stamp the layers to a new layer and run the Camera Raw Filter. Of course, you could always go back into Lightroom and start again, but what happens if you have already started making adjustments to your image?Ĭhances are, you don’t want to lose those.
However, if you leave it for a day or two before you come to it, you might find that you no longer like the decisions you made. This is fine when you process your raw file and move it into Photoshop immediately. If you’re like me, you mostly make decisions about adjustments on the spot. To not lose the healing work, I used the Photoshop Camera Raw Filter to make a quick adjustment. Once in Photoshop, and after a bit of healing work, I decided that I wanted to make the image a touch cooler and reduce the vibrancy as well. Final tweaks before finishing your image.Make quick, extreme adjustments for certain parts of your image.Make certain adjustments easier than in Photoshop.But here are a few potential uses that I find myself using often. With all of the power of ACR behind the Photoshop Camera Raw filter, there is no way to make anything resembling a complete list of what you could do with it. However, it illustrates the importance of getting things as close to right as possible while in the raw stage of post-processing. This means you will have less information to work with, such as, dynamic range. Instead, the process will be more akin to working on a JPG file in Lightroom or ACR.
It’s also important to realize that because you are not working with a raw file at this stage, you won’t have the same versatility that you would with a raw file in ACR. In the various menus of the Photoshop Camera Raw Filter, you will find there are a few options missing that you would see in ACR.
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